Dialogues and light humor (which often smacks of kindergarten), are very stupid in places, although there are good moments. But the very play of contrasts in the work is still more bewildering... For everything is exhibited with an innocent mask and in iridescent colors, hop, we abruptly move on to a matter in which there is no place for innocence and weakness, then everything returns to normal... From dark elements, a sharp transition to a circus with horses. Yes, and there were too few relativity ... if they existed at all, and not a drama for the sake of drama (yes, there were moments on both sides of the same barricade when people loved each other, but did not accept or there were 'other reasons', but when with one from the sides there are, in addition to some characters, a lot of stereotyped evil, when on the other side there is not quite a template (not always, perhaps = /) beaver, then this is all somehow not perceived and does not look very good), in general, everything is pretty flat, like a total number characters and situations. Although in some places they tried to claim something more,... in any case, I understood the idea, but its presentation and execution leave much to be desired + it’s worth mentioning a bunch of frank references and allusions both to our story and anime in general, but no emotions in principle, it didn’t cause.

The setting is unusual and claims to be more than one genre, and is essentially some kind of hodgepodge in which people were mixed ... horses ... I can’t write that it was bad in places, no, but it was uninteresting more often.

Cliche. And there are many of them, as well as many stupid moments, especially when it was possible to finish someone off - the Persians are stupid, and then it ends with their death! In general, such dramas cause only one effect of the 'rukalitsa'.

Characters. And ... what they were, what they were not. I expected a lot more from the title, because in the first series everything was not bad, when everything was said in plain text, although it was all impossible to understand and not see everything until it happened, over time, my thought is that this anime is not about action (which was also ambiguous and different), but about the story, plot, and characters, everything eventually fell apart like a house of cards. On the other hand, it’s good that the Persians weren't Sue and they could be killed at any moment, only their deaths caused only one emotion (you can consider me heartless): Well ... and ... what? ... That's the price of realism and sometimes sucked out of the finger of drama (although many bought into it, well, ok, MB I don’t understand anything at all), as well as the fact that there are many characters and I trivially didn’t have time to penetrate them, although some were revealed with grief in half (but less, from the beginning they both caused indifference, and continued to cause it).

The ending is banal and did not cause any emotions. Although...