

Man, it sucks when I can't enjoy something. It especially sucks when it's something you were looking forward to. The subject of today's review, Stories of Girls Who Couldn't Be Magicians, or Mahoutsukai ni Narenakatta Onna no Ko no Hanashi, actually has a bit of a story behind it. In 2018, a company called Project Anima held a contest allowing entrants to submit ideas in the form of novels, scripts, manga drafts, illustrations, and so on, and the winners would have their pieces adapted into anime. MahoNare, as I'll be referring to it for the sake of brevity, took the grand prize for the contest's fantasy/another world category, and the anime was set to air in 2021, but for some reason was delayed. Luckily, the show was set to debut in October of 2024. And hey, I'm always down for more cute witch/magical girl stories. Unfortunately, MahoNare wound up not being one of the better ones. This one had the potential to be good, but squandered any opportunity it had to rise above being mediocre.
The story centers on a young girl, Kurumi Mirai, who loves magic and wants to be a magician. When she was little, she met a magician who gave her a mysterious notebook, which Kurumi finds out is given to students of the prestigious Letran School of Magic and Magecraft, the only known institution that trains wizards for the International Mage Alliance. Kurumi studies hard so she can get assigned to the Magic Class...only to find that she didn't make the cut, even with her good grades. Kurumi is crestfallen, as she's always dreamed of becoming a magician, but now that that door is closed to her, she's resigned herself to being stuck in the Standard Class, where they study anything but magic...until their homeroom teacher, a strange, tiny woman named Minami Suzuki, announces that she's going to teach magic to everyone in the Standard Class, status quo be damned. But Minami's brand of magic isn't like the magic that Letran usually practices. Is there a chance for Kurumi to finally fulfill her life-long dream after all?
Yeah, this show is pretty much trying really hard to be Little Witch Academia. Let's be real here. Magic school, girl who seemingly can't do magic, a stoic rival with a girl posse who at first hates the MC but later becomes her friend, you've seen it all before. The plot of the differences between ancient and modern magic give off High Guardian Spice vibes, while the side plot of gatekeeping magic brings thoughts of Witch Hat Atelier to my mind. I will admit, one thing MahoNare does have going for it is its art design. The actual animation isn't much to write home about, and it does its job decently, both the fantastical and the mundane, but its art direction is quite honestly beautiful. It's not the most visually striking show in the autumn 2024 season, but it has a style that's all its own, with charming, watercolor backgrounds straight out of a children's fairy tale, full of whimsy and eye-catching vibrancy. The character designs are fun too, done by Lily Hoshino of Mawaru Penguindrum fame. I have less to say about the soundtrack, though...how in the hell did they manage to get Yoko Shimomura to work on this?! I do not remember her working on anime soundtracks unless they were tied to a game adaptation or something, like Legend of Mana. Though if I'm being honest, this isn't one of her better soundtracks. I couldn't tell you the first thing about it, or the ending theme. The opening song is nice though, and it's done by PuffyAmiYumi. Kinda nice to hear them again. What was the last thing they worked on before this? One of the endings for ReLife, which was in 2016? Dang, that's a long time. Good to know they're still active!
Unfortunately, that's all the positive things I have to say about MahoNare, because everything else about it is a mess. First off, this show has way too many characters. Not as many as Lapis Re:Lights, but 12 episodes is not enough to handle an ensemble cast this big, and they don't get fleshed out beyond their one archetype, so they all come across as extremely bland and one-note. As a result, the series feels really cluttered. A lot of them feel like they're just there to take up space and not much else. Hell, one girl doesn't do anything outside of translate what Minami's pet frog is saying to Kurumi and Yuzu and just disappears, so she comes off like a random plot device than a three-dimensional character. Even the two main girls, Kurumi and Yuzu, are as cliche and bland as white rice. Yuzu just feels like a knock-off of Diana from Little Witch Academia but without everything that made Diana work as a character, and while Yuzu is the only one who gets any real, noticeable development, her change from stoic alpha bitch to Kurumi's closest friend seems to come out of nowhere, feeling more like the writers wanted to change her character when it was convenient rather than actually showing her changing.
Going back to Kurumi, as much as I want to like her arc, she honestly feels like a side character rather than the main protagonist. All throughout the series, she hardly ever does anything on her own and spends a lot of her time being indecisive or angsty. There were so many times where I wanted to smack her because she spends so much time whining and unable to act when it matters most. She doesn't manage to do anything noteworthy until episode 10. A character like her might have been fine as a side one, but she fails to deliver as the main protagonist. In all honesty, Minami feels more like the main character than Kurumi does, because Minami is the only character who really moves the plot forward in any capacity. I wouldn't blame anyone if they thought she was the main character, and I feel like the show would be better off if they focused more on Minami than the kids. Also, some of the characters' names are really dumb. Lemone Juicy? Really? Why would you name someone that? Speaking of her, good God her voice is screechy and annoying as hell! Also, there's one point where one of Yuzu's girl posse gets angry at Kurumi for supposedly stealing Yuzu, but this never gets followed up on, so any development she could have had is just thrown out the window.
Though that's not even mentioning how slipshod the story is. MahoNare feels like a longer show that's crammed into one 12-episode season. A good chunk of it just focuses on boring, boiler-plate magic school shenanigans, more interested in meandering and goofing off than actually telling its story. The plot doesn't kick in until a quarter of the way through, but even then its execution falls extremely flat in every way. I have to go into spoilers here because my complaints about the story won't make sense if I don't explain them in detail.
Actually, beyond Northern being a half-baked bad guy, MahoNare doesn't even bother to answer a lot of questions or resolve its plot threads. Why do most of the staff at Letran turn into animals? The school nurse is apparently a cat, but why does he change into a cat? Is it some kind of curse? And what's the deal with that kid who claims to be Kurumi's brother? Why doesn't he ever talk to her? He spends the whole series just standing around and being mysterious, and he never so much as interacts with her. How does he fit into this whole mess? Does Kurumi even know she has a brother? The show never explains this kid's motivations or what his end game is, and the cliffhanger ends with him getting kidnapped. Like...the show has so many questions that it doesn't bother to answer or resolve, and there's no confirmation of a second season right now, so what was even the point of all this? This is what I mean when I say MahoNare feels like a longer show compressed into a format that's too short to handle it. It sets up these plot threads and characters acting in the background but refuses to really do anything with them. Hell, Kurumi never even finds out that Minami is the magician she met years ago (Yeah, I figured this out in episode one because they're voiced by the same person. Minami doesn't even bother changing her tone of voice), nor that her grandmother was a Letran student too.
Tl;dr, MahoNare spends more time goofing off and on a cliche "stop the machine from blowing up and destroying everything" plot than actually answering important questions, developing its characters, or resolving important plot threads. It tries to do too much, none of it gels together, and the show has no room to breathe as a result. God, I really hate that I couldn't enjoy this show, because it does have interesting ideas. But the staff made to work on this were just not the right people for the job, and there are so many other series that tackle this premise or similar ones better, like Witch Hat Atelier, Little Witch Academia, The Worst Witch, The Owl House, and so on. If you want a short, breezy witch girl series to show to your kids, MahoNare is fine, but has nothing of real substance and has nothing to offer beyond its shiny, sugary frosting. Seriously, just check out the stuff I mentioned above, you'll get much more out of them than Stories Of Girls Who Couldn't Be Magicians.
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