
a review by kadarakt

a review by kadarakt
If you liked K-On, you're already pretty much guaranteed to at least like Bocchi, and this review isn't meant for you. This review is solely meant for people who hear a lot about Bocchi, but disliked K-On and therefore are hesitant to give this anime a try, as I was one of those people too.
To start off, we have to examine K-On. I want to highlight the aspects of K-On that both made it extremely popular and disliked by a minority among the community. K-On was a somewhat controversial anime that caused a bit of division in the anime community. But nobody can deny K-On was very influential. It might not have been the first to do SoL or CGDCT, but it was the anime that propelled these genres into the mainstream and spawned many other animes that took inspiration from (or downright tried to copy) K-On. Here is the formula that K-On and most of it's copycats follow:
These features are the main reasons why people both loved and hated K-On. To some, this created an extremely relaxing, slow-paced show that was all about having fun, a kind of comfort zone or a safe space where all the worries in the world were wiped out for 20 minutes. For others, it was an absolute failure as neither the story or the characters were interesting enough (or even attempted to be engaging) to hook the viewer in, no different than watching TV static. I was in the latter group, and at first glance Bocchi was no different. Quirky moe characters with a very general and unfocused plot. Just snippets from the ordinary lives of cute girls doing cute things. But there are a few things it does that sets it apart from the other shows in the same genres. These differences are what makes Bocchi.
First off, the characters are all written in a way such as that they contrast each other. Many SoLs fall into the trap of trying to make characters cute first, and then focusing on their respective quirks and actual personalities second. This results in a lot of the characters feeling unnatural, like they were artificially made to be as moe as possible. You get characters that can't really bounce off each other very well, let alone stand on their own two feet. Not to mention most of the cast ends up being the same klutz archetype, muddying the boundaries between characters even more until it all turns into one big indistinguishable blob of meat and glitter. Bocchi avoids this by creating large contrasts between the characters that helps them be more unique. Bocchi's social anxiety and silent passion isn't seen by anyone else, nor is Ryo's manipulative antics and opportunism, or Kita's extremely outgoing yet fragile demeanor. And to ensure these contrasts don't rip apart the whole group, Nijika is there to glue them all together with her trustable and understanding personality. The author can then focus on these individual quirks when she wants to create moe, or better yet use the group dynamics to her advantage, as contrasting personalities allow for great antics and banter. Character development is also a central focus. The characters aren't static, lifeless puppets, their lives and ambitions feel dynamic. You can feel Bocchi make slow and steady progress throughout the episodes, you can see Nijika achieving her goal one step at a time, you can see Kita making huge attempts to improve herself both as a musician and as a person. The only person who doesn't fit this mold is Ryo, and that is because Ryo is already quite a mature character. It is clear she has already discovered her own comfort zone and boundaries, and she tries to help others discover their true desires and comfort zones as well. When she feels the situation calls for it, anyways, otherwise she's trying to swindle people out of their last few pennies.
Second, the animation. I don't think this needs a lot of explanation, good animation always gives an anime a lead above others, it is probably what propelled K-On forward at first. Although I don't believe K-On does anything above and beyond with it's budget like Yuru Camp or Girls Last Tour to depict beautiful scenery and create glorious art pieces. But Bocchi is a great example of how animation can be much more than simply relaying a script or even showing beautiful landscapes. The animation of Bocchi does a great job at illustrating the emotions of the characters or the mood of a scene, acid trip or not. A lot of anime has great animation, but don't really use it for much other than smooth looking fight scenes and intricately crafted sequences of even the most mundane tasks. Which does look beautiful, don't get me wrong, but Bocchi's way of using it's animation as a narrative and storytelling tool feels a lot more satisfying. It definitely helps a lot with moe too in an industry where the standard way of achieving "moe" is to just slap some chibis and call it a job well done (which tbh Bocchi does too, but every chibi scene is accompanied with an absolute acid trip)
Third, music. I was sorely disappointed after finding K-On, something I started watching because it was advertised as a music anime, to then find out it was just girls tea time. Sure, there is music in K-On, but it's mostly just girls eating cake, drinking tea, and going to the beach to do nothing. And the songs that were present felt very artificially moe, like the characters themselves, most obvious example being "Fuwa Fuwa Time". On the other side, music is always at the forefront in Bocchi the Rock. Music and band related work is 80% of what the girls do and talk about, and they actively progress towards making their band bigger. When it comes to the music itself, all of the songs are great. Even if you end up not watching the show, I'd still recommend you to look up some of the music and add the ones you like to your playlist. In the show itself, it creates this weird gap moe as these cute girls play these songs about loneliness, inaptitude, haphazard passion, acceptance of oneself, acceptance of imperfection, and so on.
Fourth, plot progression. This is the same reason why I found Shirobako to be an amazing anime too. The plot actually moves forward. There is something to look forward to each episode, whether it be finding members for the band, auditions, selling tickets, their first concert etc.. Not to mention Bocchi herself slowly opening up to the outside world, and the character interactions don't get stale either. You don't feel like you wasted your time after watching 20 minutes of cute girls doing nothing. It feels more like a coming of age story as the characters get closer to their goals one step at a time.
If any of that sounds appealing to you and relieves some of your doubts, then I'd recommend you to give the show a try.
38.5 out of 41 users liked this review