Bungo Stray Dogs is not a perfect show. However, from the first season to the third, it has become my bias, and one that I am greatly fond of. The cinematography, OST, and characters are all loveable. After each episode, there is a sense of satisfaction, yet forlorn.
SEASON THREE REVIEW
(I) AUDIO/MUSIC (9) & VISUALS/DESIGN/CINEMATOGRAPHY (9.5)
If there is one thing that Bungo Stray Dogs excels in, it is their OST, use of soundtrack, and their unbeatable intro designs. I love their use of typography which blends well with the background and the themes of the arc. Their cinematography and execution of dialogue captures the audience with just enough suspense to keep you on your feet.
Spoiler, click to view
A particular style of design I enjoyed in this season is the backstory of Mori-sensei and Fukuzawa-dono. The neon blue, red, and purple outlines was a nice touch. Their OST and use of music blends well together. From techno, punk rock, and classical. The synchronised opening and ending scenes is always the most satisfying to watch, giving the audience a sense of fulfilment after each episode. Their entire soundtrack is on my playlist. Kudos.
(II) PLOT (9), PACING (8.5), & ENDING (8.5)
The plot this season is episodic, but has a good balance of story and character development with just enough humour and melancholy that mixes in well with each other.
(A) Arahabaki Arc
Spoiler, click to view
A good arc and a great intro. The depiction of Chuuya-kun's background adds depth to his character and makes him much more dimensional and loveable. After watching this arc, I realised that I cannot hate the mafia, even if they use dirty methods. Mori-san's love for the organisation and his efforts to protect the 'beloved people of this city' earns my respect. (B) The Ace and the enslaved boy (Ep 29)
Spoiler, click to view
I forgot that Fyodor's ability was 'Crime and Punishment'. Therefore, I was swept by his bluff just like the Ace. The execution of this episode made a complex matter seem so simple. The irony of bluffing a gambler and outwitting the Ace in his own game was a fun watch with a gruesome end. The enslaved boy lived a short-life, yet he was dimensional and full of character. His acknowledgment of his unforgivable sins yet desires to be freed from his 'evilness' makes you sympathise with him. Dying in the hands of Fyodor seemed fitting. 'May you be freed from the shackles of your crimes, and your soul salvaged'. (C) Heruisu and Portrait of a Father (Ep 31)
Spoiler, click to view
The concept of reality is based on the ideas of 'truth' that we think we know. Finding out the reality of the death of Kyouka's parents as Kyouya's gift is a nice closure to Kyouka's backstory. However, some elements of it felt a bit rushed. The second part concerning the Headmaster however, was harder to swallow. How would one react if they find out that their abuser had come to see them, and possible, cared for them, regardless of how fucked up they were treated? To Atsushi, the headmaster was the root of his nightmares. And yet with his feelings of anger, sadness, and hurt, there is grief for his 'father'. (E) Fitzgerald Rising (Ep 32)
Spoiler, click to view
This episode made me grow fonder of Fitzgerald. He's funny, cunning, confident, yet has a dash of innocence. This episode however, has some confusing elements and plot holes. Like, how did Louisa find out about the engineer? One could argue that I could reason it out, however, an offer of explanation is much more appealing. Regardless, I enjoyed this episode.(F) The Cannibalism Arc
Spoiler, click to view
When Fukuzawa-dono said 'You mustn't fight Port Mafia. You must protect the balance of peace and order', the roles of the organisations had become more clear. When both sides has decided to cease all forms of hostility with one another, they both recognise the importance of one another and the roles they play in society. The use of Deus Ex Machina (although mildly done), shifted the tides of the battle. But I do appreciate the fact that it didn't feel forced. One thing I had a problem with though is how anti-climatic the end of the virus was. However, I guess the fall of Fyodor made up for it. I liked how they tied Fitzgerald's story with the Eye of God in tracking him down. Fyodor's tactics were also smartly done and executed, very well thought out and highly enjoyable. Lastly, Akutagawa and Atsushi's fight scene is muy bien. Love it.(III) CHARACTERS (9)
(A) Character Progression
One thing I appreciate is the small progressions in character development that makes each character more human than before.
Spoiler, click to view
First, Mori-san's unwavering love for his city and his organisation. Second, Akutagawa's acknowledgement of Kyouka's new found determination to live. Third, Kunikida's unwavering principles. These small developments further unravels the desires and motives of each character. However, I do wish that there would be more development(B) Display of Emotions
Stone Studio's excels in displaying emotions. Not only through facial expressions, but also through voice.
Spoiler, click to view
When the child pulled the safety pin off of the grenade, the sound of the cello, followed by a piercing silence, then an explosion, and a cry. Kunikida's emotions were so raw, my heart dropped for him. Moreover, it is not only agony that was conveyed well, but also the grief of Atsushi concerning the Headmaster, the misery and new determination of Fitzgerald, and the cold and detached persona of Fyodor with the Ace.(C) Dimensionality
The depth and dimensionality of characters has always been something I deeply appreciate in Bungo Stray Dogs. It does not overplay the 'goodness' or the 'badness' of each character nor organisation. However, in every decision, there is always a well-throughout reason behind it. Although this does not justify any immoral actions, it gives the viewers an insight on why each character decides on a particular decision in the first place.
Spoiler, click to view
One of the reasons why I cannot dislike Mori-sensei is his reason for killing the ex-boss in order to become the new leader of Port Mafia. 'I love this city, including its underground society'. In the hands of the ex-boss, Port Mafia was a ruthless organisation which killed without reason. However, under Mori-sensei, the organisation has become one which is respected and valued by maintaining a balance of peace and stability in Yokohama (even though they are still dodgy as).(D) Relationships and Roles
I enjoyed the partnerships and teamwork in this season.
Spoiler, click to view
Atsushi and Akutagawa as a team is OP AF. The three part-framework set by Natsume-sensei, which had Port Mafia oversee the Night, The Government Agency and military forces oversee the day, and the Armed Detectives oversee the twilight was also dope as shit. The balance built by these three organisations maintained prosperity by taking up the roles as overseers of Yokohama.(IV) ENJOYMENT (9)
Spoiler, click to view
Naked Atsushi at the docks was funny as. I also enjoyed seeing Fitzgerald's character 'develop' with his love for sales. Very cute.
- I am also constantly left surprised by Fyodor's antics. Enjoyable af. (V) PERSONAL IMPACT (8.5)
Spoiler, click to view
- 'Happiness to the world, blessings for the children'.
- The Headmaster is not dead, he lives inside my head'.
- 'If I'm a wretched dog, you're a wandering dog.'
- 'Beast Beneath the Moonlight, Rashoumon – Kokuto Zessou'.
- Also every time Odasaku is mentioned or hinted at, my heart breaks just a little.
