The streets of Tokyo have been rid of weaponized conflicts. Spearheaded by the Party of Words, a coup d'etat has radically transformed the way of living for the Japanese populace, springing up a matriarchal society where women alone are in positions of power and men are segregated to regions called "divisions" where they have to settle disputes by lyrical battles through the use of state-issued augmented microphones and with it either gain or lose territory; naturally, any other form of violence is strictly prohibited, including non-state issues mics. Through this mechanism, women have taken the lead where men has failed since time immemorial, to construct a society wherein peace and order are upheld in the truest sense, curbing of freedoms but a small price to pay for that worthy endeavor, surely. And thus would be the premise to our title. All of this may have sounded very enticing, and Hypnosis Mic too, is quite enticing in some respects. But you might puzzled as to why I'm phrasing it like my description and the show are two separate entities. And that's because, well, they are. The show could not possibly be more dissimilar than its premise would have you believe. I'm sure you the reader can attest to this, while reading the start of this paragraph, have you honestly thought, even for a second, that I was talking about a different show? Because see, HypMic ARB is hopelessly ordinary, and don't get me wrong, some of my favorite shows deal with the mundanities of life, but in a world that is supposed to feel extraordinary, it sticks like a sore thumb. I want the characters to feel the weight of the system under which they live, to have the fangs of tyranny seeping into their corner of the world, and seeing their opposition forming the baseline of their character. Unfortunately, vast majority of the show goes on like nothing abnormal is happening at all, and the last 2 episodes a last ditch effort to get things back on track to what the pilot episode promised, but too little too late...

The characters are your usual diverse ensemble cast who share roughly equal screen-time as is the case for idol or idol-like shows. Normally this will result in the cast ending up being tropey and weak, and while I can't entirely deny this in the case of HypMic, I argue that it does more than most of its kin. There is some genuine attempt to individualize each character beyond just superficial elements like verbal tics and hair colors, during its runtime all 4 of our division will be facing certain turbulences—some serious and some more light-hearted—that communicate parts of their identity to the viewer in a surprisingly apt manner. Jakurai-sensei's comatose patient for whom he blames himself and suspects foul play, the brief moments where Samatoki seems to have concern for his teammates like not wanting to involve them to his familial issues, Rio's loyalty to his former Navy general, and yet him opposing his fellow comrades in their Machiavellianistic ways to rescue him... these sadly do not tie up to some grand narrative, likely due to time limitations, but it shows that it's not just about pretty boys dissing each other. A good litmus test for well-put-together characters is, in my view, to read a random part of the script and attempt to identify the speaker, and I believe HypMic fulfills that criterion relatively well.

Art and animation are largely inoffensive, but staticity of frames is noticeable in certain parts. The CGI for rap portions are not jarring in the slightest, impressive even, when it's at its peak. The tracks are obviously not on par with the franchise's discography, but nothing to scoff at all the same. The character design has been a strong point of the franchise since it's very inception, and this adaptation is no different. All in all, it's an amusing "pick your favorite boy" kind of show that is bogged down by not having much to do with what you'd expect a show with concepts of such caliber to have.