
Cherry Blossom:
The first is spent with Takaki and Akari's youth. The small interactions, interest, and the innate connection they feel for one another. It is later discovered that Akari and Takaki would be forced to separate due to their parents careers. As Takaki's tries to make his way to meet Akari, there are road blocks that he fear will impend him from delivering his love letter to her. As he arrives late way beyond their meeting time, he see's her huddled up waiting for him. A snow storm covers the town and the train that they were logging in where Takaki decides that his moments with Akari and their time alone stuck in the storm was more valuable that giving the letter. This decision is also reciprocated near the end of this act when Akari decides also not not give her letter but decides to entourage him, saying that "...you'll be okay from now on...".
The constant imagery of trains represent not only the physical distance but the emotional distance in terms of accepting where their lives will go, leaving things half baked because of the saying the harsh truth and leaving feels kept deep inside.

Cosmonaut:
The second and more saddening story of the bunch. A tale of unrequited love that Kanae longs for but due to Takaki's distant demeanor, fears her feelings shall not be realized. Kanae made it a goal to confess her true feeling after managing to successfully ride the waves with her board. Even after her successful attempts, Kanae, alongside the juxtaposition with the imagery with the rocket and themes of space, realizes that his true feeling, his goals are far from what she can connect and empathize with emotionally. As such, as they watch the rocket shoot up, Kanae resolves herself to keep her feelings bottled up, suppressed, and thus, cries herself to sleep as the second act ends with her realizing her love is more of a crux.
The imagery of the rocket ship details not only the distance between the two but the feelings never said as it is also represented with the tittle. Takaki is completely in this stage of his life in constant longing of the past and denial of other connection.

5 Centimeters per Second:
The final and shortest of the act is a 9 year time skip as Takaki has a job as a programmer and a girlfriend who he can't connect with. Themes of longing and minor signs of depression are present within Takaki and it is even more impactful as juxtaposed with Akari's situation as she completely moved on. A distant memory as she prepares to get married until she finds the letter that she meant to give to Takaki on that fated day when they separated.
The movie, as dual narration plays out between Akari and Takaki recalling their first initial meeting in the railway, plays with expectation of them getting back together. A direct reflection to their snow filled farewell as it gives them each time to reflect on their lives up this point in the movie. And as the two of them reach the promised place, the final moments and prominent scene in the movie shows them reuniting. Akari and Takaki finally meet up from opposite sides of the railway filled with those cherry blossom falling 5 centimeters per second. The place, as children, they promised to meet. And as Akari was turning to meet his gaze a sudden train intersected their gaze. And as the train passes Akari has gone and left Takaki. Takaki responds with a simple smile, walking forward without looking back.

The Ending:
I will admit on my first viewing, this completely not only confused me, but ruined it for me. "Why would Akari not wait for him? Why was there so much build up for nothing? How was this worth the wait after a boring first half?" In fact, I was that distraught that I was about to write a review at the time that not favorable until my "in the moment analysis ended" and I had time for it to simmer in the critical pot of one's mind. And oh boy, Makoto Shinkai not only took it full circle but address these threads in a subtle and beautiful way with the use of the environment, character expression, and letting the audience think for themselves.
Full credit to the story boarding into connecting 3 seemingly separate stories and connecting them into one. This is true because of the promise they made in the past was fulfilled in full with them finally meeting again to see and experience the cherry blossom's again. But the thing with cherry blossoms is the they are fragile and ever floating. Changing where the wind goes showing nothing is constant and thus is the same with life. Where as Takaki became reclusive with his feelings affecting others like Kanae, Akari took a contrasting approach. And as such, the build up showcased not only the amount of time passed but showed how Takaki struggled with moving on a being stagnant in the past, not being to see the present. Takaki's smile the the last scene was one with positive acceptance as it showed that Akari, not only has moved on but connecting with their last meeting and her parting words "...you'll be okay from now on...". Finally being free from the shackles of the past, Takaki realize that nothing will move if he longs for the past. And as such he move forward.



It is rather impressive given the run time what Makoto Shinkai accomplishes in this movie. Especially with the style and presentation with how it heavily relies with environmental and character movements to convey feeling and themes.
Takaki and Akari, at least in my eyes, are both two sides of the same coin. Although we actually don't see Akari that much and the story is focused on Takaki's experience, it is symbolic in the sense of how one's deal with not only a long distance relationship, but one that is flawed for failure that neither knows how to handle well. And that is okay because it not only grounds it in reality in terms of individuals not knowing exactly what to do but showing how complex emotions can be. In some cases infuriatingly beautiful. And that's what Takaki's side entails. A complex and emotional strain of the fear of letting go.
Kanae on the other hand is the direct contrasts to Akari. Kanae is flawed, awkward and she is constantly in her head about her feeling for Takaki and trying to get to know him. Even after the beautiful scene of her finding her resolve in her own way through the board, it quickly becomes bitter sweet. The Rocket scene and the revelations she acquire there she realizes that Takaki is constantly distancing himself from her. And as she discovers more about his character that he has been suppressing, combined with the fear of rejection that becomes a reality, she, although sadden deeply at a love that will be never be accepted, finds out that life constantly moves forward and decides that she should find her own way.

Although some folks might view this as a negative and I can totally see that in terms of the characters not being honest with themselves. It involves active deduction between reading the enthronement and character quirks of each of the three characters. Comparing it to Makoto Shinkai's more recent works that have really enjoyable characters, interactions, and motivations but are more in your face with who they are as character. Not saying one is better than the other but these are styles that are unique to story telling. And in terms of this story, this style of active engagement work really effectively for this film. This means the answer is not always directly stated and it comes down to what the view gets from the characters and themes. Which on one camp makes it open to interpretation and more importantly, flawed. Which in this context is good because it acts as a good conduit it terms of how vague emotions and mental states are. Of course, personal investment is important and if you as an individual do not care or simple did not get attach to said themes then that is also okay because again, it is about the journey and what the individual takes from it.

Do I need to even say it. And for 2007 this is simply a marvel to look at. Even though even for its time and comparing it with the industry at the time it was making insane strives, it works for what it was going for. Especially when you compare and put context in, it is even more stupidly impressive not just visually and audio wise but how it connect thematically with the characters. From the atmosphere of the lighting and shading of each scene to the emotional connection showed the dedication the team had.

And for music, the soundtrack written and produced by Tenmon fits the film in a lovely way. Themes and Tunes that were more on the softer side that made the film feel more personal. In a sense of longing or wishing for days lost which is neatly accurate to the movie.
And of course, the main theme song. One more time, One more chance written by Masayoshi Yamazaki is a song that was practically made for the film. In fact, it is as if the song weaves the main themes in your face about distance, longing, emotional connection, apathetic dispositions and of course, acceptance all wrapped in a neat bow. Plus it is just a really good emotional song if you want to cry deeply about a past that can not only be replicated but also will never come back.
Again was just in awe for a majority of these categories in terms of how impressive it all is. Again, not perfect and again, not the pinnacle even just in the context of that time period, but what hits it out of the park for me is how it connects in the narrative and thematically as well.


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