#Casshern Sins
#“Ruin is the salvation of man and machine.”

Dystopian literature repeatedly falls under a common misconception deriving from the thematic statements it brings forth. They have a tendency to function as an analogy for similar issues in the modern world, gravitating towards the principles of social and political structures. Characters are the prime driving force representing a counter-culture movement. At face value, the motifs presented are capable of heedlessly altering the narrative into a convoluted disarray. Merging conflicting elements are bound to overwhelm one another without a cohesive outline. It is a conventional fault for a number of media, not apprehending the fact that more precarious concepts require even greater implementations. Casshern Sins acknowledges the aforementioned in a straightforward yet refined manner. An unorthodox approach so congruous and self-effacing with minute precision; perhaps a metaphysical exploration of the human condition. There is a cunning and stylistic flare inclined to its commentary that I have never experienced in the medium to date. Concise and pragmatic in regard to the notions it brings about, drawing inspiration from the adage "Death is not the opposite of life but an innate part of it." The inanimate classifications expressed has been a gold standard throughout the program's brief runtime. Stemming from the previously mentioned compositions, Madhouse's Casshern Sins unveils a melancholic inquiry of self-worth and the morality of life. A transcendent depiction of the inevitable decline humankind faces coming forth.

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Suffering from financial difficulties in the late zeros, the industrial monopoly known as Madhouse continued to produce a great deal of ambitious projects. A majority of them were a gamble on their part including Casshern Sins, a reboot of the 1973 anime series Neo Human Casshan. The franchise has beforehand inspired a live-action film in 2004 and a 1993 OVA Casshan: Robot Hunter by studio Artmic, unfortunately the latest installment was unable to meet the sufficient revenue intended. Considering that the reboot turned out to be a setback for the studio at the time, it was not a commercial hit and gradually went under the radar. It is dissatisfying to see how the broadcast did not get the recognition it deserved, bearing in mind the profundity displayed.

The strategic vision of the directorial staff was a commendable undertaking, reason being the modifications and groundwork implemented were crafted to near perfection. A dismal ambience had been upheld and expressive craftsmanship encapsulated in the visual arrangements. Wada Kaoru's score can be considered the most pretentious component in the production, arranging a mix of symphonic blues and acoustic guitars accompanied by melodious piano notes. Audio placement was done meticulously, providing nuance to the tropes and illustrations put forth. The animation quality doesn't exactly stand up to modern standards; the director's exposure to the industry being a key factor as to why. A smart move nonetheless, seeing that ostentatious effects and streamlined morphing could potentially contradict the overall allure at hand. There had been an appreciable amount of forethought put into the environment as well, distinguishable from the desolate landscapes. Backgrounds were formulated with an assemblage of somber and more duskier colorations, more specifically anything on the spectrum of grey. It really captures the character aesthetics in a visually arresting way. The presentation all together gave the impression that life was draining from the very depth of earth itself, correlating to the subject matter before our eyes.

Logically speaking, a decaying wasteland engulfed in rust and atmospheric corrosion typically dismisses any indication of life towards audiences. The seamless nonstandard method Casshern Sins conveys its concepts is ingenious on all accounts. Casshern, an invulnerable cyborg, endeavours to find moral justifications in a world he destroyed. Episodic adventures steadily unravel a tale of epitomized loss, conviction, desire and redemption. A comprehensive introspection in relation to his character through cognition. He seeks to understand the significance of life through the existence of death. The dispirited cries from passing machines enlarge on how endearing and treasured the course of life really is. There are numerous ways one can explicate the matters presented, considering that the script left many situations for viewers to interpret. Embodying several unpretentious themes, the philosophical scope exhibited is able to feel quite excessive every so often. One can argue it focuses more on the thematics than the encompassing narrative, however all things considered they both bring together a balanced conclusion.

The leading premise undeniably takes inspiration from dualistic cosmology, putting emphasis on how contrary forces may actually be complementary and interconnected to one another. It interrelates perfectly with the phrase “Ruin is the salvation of man and machine.” Perhaps ruination exists as the sole means of escape for the immortal. To treasure one's life, there must be a limited shortage placed. The concept pertaining to appreciation cannot occur if something was infinite. A key exemplar in relation to how balance will always be attained, even in an asymmetrical universe. Casshern Sins demonstrates that only in view of death can the value of life truly be discovered.

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###Thanks for reading !