I am a gay man who loves GOOD boys love anime. Sasaki and Miyano is pretty fantastic.

I don’t like being represented by the most grotesque stereotypes possible, i.e., rape-to-romance (Love Stage!), pedophilia (Super Lovers), possessiveness (My Very Own Hero), and endless ambiguity (Gakuen Heaven). Watching these anime elicits the same repulsion in me as being called a slur on the street by a drunk. This is not one of those anime. The show follows the eponymous high school students Miyano, a fudanshi (a male fan of boys love manga), and Sasaki, his slightly older delinquent classmate. They meet when Sasaki breaks up a fight between Miyano’s friend and trash-talking jerks. The random encounter immediately subverts a BL trope; the older love interest protects the younger man’s friend rather than him, earning his admiration and respect rather than attraction. Their relationship progresses as they continue to run into one another; Sasaki gradually admits to himself he finds Miyano cute and Miyano questions whether he really likes BL manga because he’s into men (oh, you innocent boy).

In the first half of the show, Miyano introduces Sasaki to the world of boys love by lending him manga. Over these episodes, the two discuss BL stories, tropes, and character archetypes while slowly realizing their attraction to one another. Dissecting your own story’s genre is a precarious choice for an author. They risk drawing the reader’s attention to the flaws with their own story. Luckily, these writers are self-aware. Though the main characters fall into the categories of seme (dominant, older, usually taller) and uke (submissive, younger, shorter), these archetypes don’t define their personalities. By pointing out every trope in the BL genre during the show’s first half, they set the stage to subvert them in the second half. Once the romance becomes the prominent part of the show, BL manga moves to the background, referenced occasionally to remind you of certain tropes being subverted. Such as by suggesting the delinquent uke pushes himself on the seme, essentially fetish fuel for fudanshi/fujoshi. No shame if you’re into that thing, but it ruins the story. Though these scenes’ lighting and dramatic music would suggest something scandalous is about to occur, Sasaki expresses his concerns to Miyano in a mature level-headed manner. Witnessing his love interest care for him, Miyano respects Sasaki and embraces his affection. As the viewer, this is so satisfying because the romantic outcome feels earned rather than shoehorned.

The central romance is far more developed than either character involved. Aside from a love of manga and rebellious behavior respective to each protagonist, there’s not a whole lot of background information about these boys. The character progression made up for the lack of character development. Both of them gain emotional intelligence by overcoming relationship conflicts: setting boundaries, asking for consent, admitting mistakes, and knowing the right time to comfort each other are some of the ways they build communication. Honestly, I can't recall the last time I saw a boys love anime that actually discussed consent. Sasaki and Miyano exemplify a healthy gay relationship, and I wish I had their story while I was growing up.

Sentimental high school romances often struggle to escape the honeymoon phase: the early stage of a relationship when the attraction is at its peak). The show addresses this concern; Sasaki finds Miyano cute, which is one of the main reasons he gives at first to explain his attraction. Hence, he gives him the pet name “Mya-chan,” but Miyano comprehends how real romance differs from manga. He tells Sasaki, “When I’m 50, I might look totally different than I do now,” which shows he considers the far future of their relationship beyond the honeymoon phase. Long-term is rarely considered in high school romances, let alone BL because it risks overshadowing the fantasy love story the viewer uses for escapism. Drawing attention to the potential problems you may face in a long-term relationship makes the romance less idealized and more believable.

I have many problems with boys love anime; one is that you can switch a male character with a female and make it a heterosexual romance, and the story would barely change. Many aspects make this show unique to BL. First of all, societal expectations to be heterosexual. The will-they-won’t-they conflict comes from within rather than by plot contrivances (EX: every time the characters in Dress-up Darling are about to kiss, they get interrupted). Their internal turmoil comes from the inability to admit that they’re attracted to men. Too often, western TV shows tac-on poorly written homophobia subplots because individual writers don’t know any other problems that affect gay people. I, of all people, know homophobia impacts your ability to date in high school when you’re gay, but tonally it would’ve ruined a wholesome love story. Instead, part of what keeps them apart is the thought that they’ve never been attracted to men—both had crushes on women in the past. That’s a common issue characters face in BL manga, but it is addressed substantially here. Miyano’s past crush returns into his life, but she’s surprisingly not judgemental. It’s refreshing to see their friends are supportive of their relationship. Through the side characters, the author explores challenges gay teenagers deal with that don't fit within the main duo's story. Interesting topics are explored like how to come out of the closet to friends and family, recognizing abuse, and dealing with questions people only ask same-sex couples. I found all of these painfully relatable.

The original soundtrack is just beautifully dramatic. Every few minutes, there are heartfelt piano melodies. The sound effects, every footstep, clothes movement, and hair rustle are audibly pleasing. Unfortunately, studio Deen is infamous for low effort and low-budget anime adaptations. The animation is stilted. Characters barely move aside from motion tweens, which at least means their designs are usually consistent. Every background is overly simplified and bland, I couldn’t blame anyone who found the visuals too distracting to enjoy the story. The director often adds eye-catching colorful shapes spinning on the frame to make up for the lack of motion; at least it adds visual flares.

Sasaki and Miyano, the guys and the anime itself, are the antithesis of every bad boys love anime I’ve ever seen. None of this ambiguous shit, no censorship, no sexual assault, no queerbaiting, and no toxic relationships. Just genuinely believable drama and heartfelt romance. Gay, straight, ace, I recommend this one to everyone. If I had to describe Sasaki and Miyano in one word it would be “Heartwarming.”