GreenRevue
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▶ VideoHeike Story ED Analysis
Camera Movements in Anime
Rie Matsumoto's Use of Foreground and Background
Rie Matsumoto Goes Sicko Mode
Rie Matsumoto's Use of Screens
Naoko Yamada is an Unofficial "Heir" to Isao Takahata: Style Comparison
The Final K-On! Movie Scene; Why It's Noteworthy
Naoko Yamada's Editing and Storyboards: Sensory, Tangible, Rhythmic
Adult
Any/all
Art should be about empathy, expression and understanding. It is about seeing yourself, but also importantly about seeing others.
Lolicons and Shotacons etc., do not follow me.
Some (attempted) analysis/ comment posts I have done on Anilist
Camera Movements in Anime
Rie Matsumoto's Use of Foreground and Background
Rie Matsumoto Goes Sicko Mode
Rie Matsumoto's Use of Screens
Naoko Yamada is an Unofficial "Heir" to Isao Takahata: Style Comparison
The Final K-On! Movie Scene; Why It's Noteworthy
Naoko Yamada's Editing and Storyboards: Sensory, Tangible, Rhythmic
My favourites section on anilist for staff is fairly comprehensive. For how it's ordered, it is grouped into general staff role and then ranked (roughly) within each. So, it starts with my favourite TV and Film Directors ranked, followed by Mangaka, Character Designers and Animation Directors, just Character Designers, Key Animators, Anime Short Film and MV Directors, Art Directors, Colour Designers, Composers, Sound Directors, Musicians, Voice Actors.
